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Bio

Mike has been drawing professionally since the age of 18; his more 
"radical" work first gained notice in the old Yipster Times 'zine in 
early 1978. In 2000, he helped found the Washington DC Independent 
Media Center in advance of the Spring 2000 IMF/World Bank mass 
mobilizations, and served on the DC IMC editorial board from 2005 to 
2009. His posters promoting mass protests for peace and social and 
economic justice have been reproduced and "wheatpasted" widely in 
North America and Europe, and his editorial work has been featured in 
The Progressive magazine, Alternative Press Review, and the Washington 
Post. He has also been profiled and interviewed in the Washington 
Post, and on RT America television and the "Primo Nutmeg" podcast, and 
was the subject of a 2015 documentary, "Flugennock".

You can see more of Mike's work and learn more about his career in 
alternative media at http://www.sinkers.org

Archimedes, Applied

An illustration of the value of collective action and solidarity in a successful revolution.

Algeria – You're Next!

You've Walked Like An Egyptian; now it's time to Rock The Casbah!

Revolution: It's back

And here you thought all the fun was over after the Berlin Wall fell...

Fucking Hippies

Yet another Shepard Fairey parody, a commentary on the abusive relationship between the Democrati

Yes, We Can!

Commentary on the exploitation, abuse and betrayal of progressive and Left constituencies by the

No Labels

Commentary on recently-launched US organization "No Labels", and its relationship to the two "leg

"Aw, C'mon" series of 9

Parody of Shepard Fairey's Obama poster commenting on the weakness and ineffectuality of the Demo

Expect Us

Parody of Shepard Fairey's Obama poster created in solidarity with Anonymous in its support of Ju

Don't Retreat -- Retweet!

A response to the FBI's attempted intimidation of pro-liberty activists through their subpoena of

Suppress Our Tweets... We'll Still Take The Streets!

The Internet may now be a vital tool in organizing popular democratic movements, but -- as we see